Since its inception in 2013, The ONWARD Project has worked to create a storytelling platform using immersive, cutting-edge technology in virtual reality about the 1930’s Rainbow Bridge-Monument Valley Expedition (RBMVE) to the Southwest United States. The ONWARD Project has researched and assembled archival material from over 50 institutions and families. This work has shown that voices of peoples from surrounding Native communities are largely absent from the official historical records surrounding the RBMVE.
In an effort to accurately reflect the diverse perspectives surrounding the RBMVE and the landscape in which it took place, The ONWARD Project turns to the public in search of people with information, stories, or relationships to the Expedition and/or the area. In order to elicit these stories, memories, and knowledge The ONWARD Project presents a selection of images taken during the RBMVE of both the Expedition participants and people from Native surrounding communities.
This website is an extension of community outreach conducted by The ONWARD Project over the last several years and in response to many suggestions by community members that the photographs be made more widely accessible. After taking physical photographs to several events at Navajo Nation, a number of Native people in the photographs have been identified by their descendants. Viewers may find photos reflecting these interactions on this website, as they will appear to have been written on. However, a majority of the photographs of Native people taken by the RBMVE photographers remain unnamed and related stories untold.
Expedition members, both known and unknown, are also included in hopes of connecting with descendants. The lack of women Expedition members can be attributed to the fact that women were generally not permitted on the Expedition, with the exception of two: a pilot and a photographer, though it is known that women did apply.
For more information about The ONWARD Project, visit:
This website, as well as The ONWARD Project’s work overall, would not be possible without the support and partnership of:
Center of Southwest Studies at Fort Lewis College, The Fowler Museum at UCLA, Museum of Northern Arizona, The Explorers Club Research Collections, Center for Southwest Studies at University of New Mexico, the Navajo Nation Museum, the Navajo community, Lissa McKee, Andy Christenson, Harvey Leake, Anna Soland and Family.
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